Essay history of romantic poetry

To characterise Romanticism within the fine arts one must
consider the historical background from which this movement
manifested, as it plays such an influential role in the Romantic
artist’s development of subject matter and style. The movement itself
began around the beginning of the 19th century, and is often dated
1775 – 1830 it is important to note that this was a period of change
and revolution in human rights, and the main countries this movement
manifested in were Germany, Britain and in France during the French
Revolution of 1789. This political and cultural revolution had a major
affect on all of the arts as well as the visual arts; as artists began
to revolt against Neo-Classical and academic traditions and look
inwards into their own experience and imagination. Imagination is one
of the most prominent themes in the Romantic Movement as artists began
to direct their attention towards subjects other than the rigid
definitions of genres within the academic world of painting, and also
to the simplicity of the Medieval artists. Instead, artists turned to
literature (especially poetry), political and historical events as
well as individual and imaginative styles of depicting this subject
matter. This essay will aim to highlight and describe the
manifestation of these themes, within this period, through the
observation of the artist’s work that is linked to the Movement.

Northanger Abbey and Persuasion , published together posthumously in December 1817, were reviewed in the British Critic in March 1818 and in the Edinburgh Review and Literary Miscellany in May 1818. The reviewer for the British Critic felt that Austen's exclusive dependence on realism was evidence of a deficient imagination. The reviewer for the Edinburgh Review disagreed, praising Austen for her "exhaustless invention" and the combination of the familiar and the surprising in her plots. [34] Overall, Austen scholars have pointed out that these early reviewers did not know what to make of her novels—for example, they misunderstood her use of irony . Reviewers reduced Sense and Sensibility and Pride and Prejudice to didactic tales of virtue prevailing over vice. [35]

Essay history of romantic poetry

essay history of romantic poetry


essay history of romantic poetryessay history of romantic poetryessay history of romantic poetryessay history of romantic poetry